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In addition to the Standard version, it gives you all the tools needed to work in a truly professional environment, letting you adjust 30 parameters for each note on the keyboard and work with up to Khz audio. Pianoteq PRO comes with four instrument packs of your choice. All versions offer exactly the same sound and playability but differ in the range of features and settings.

It is based on the improved Celeste Pedal which makes use of a virtual felt strip that is interposed between hammers and strings to achieve a softer, and more delicate, sound. Since the Celeste Pedal is continuous, it lets you adjust the thickness of the felt.

Listen to audio demos. This innovative technology handles the morphing at the physical modelling level, providing stunning acoustic authenticity to instruments that never existed. The difference between Morphing and Layering is that in the latter the two sounds are mixed together, whereas in Morphing the instrument Physics itself is being morphed. Modartt introduces a new refinement in its physical model: the double polarization.

It consists in modelling string vibrations that can take any direction, e. The new physical model allows more complex tones to be produced, and as observed by a pianist, the sound becomes "three-dimensional".

It also allows longer sustain, particularly in the bass range, with notes lasting up to a couple of minutes, just like on a real acoustic piano. All pianos in Pianoteq 7 are constructed and revoiced using this new physical model.

However these are three of the many instruments you can create with the acoustic Morphing introduced in Pianoteq 7 Standard and PRO. This new technology handles the morphing at the physical modelling level , providing a stunning acoustic authenticity to instruments that never existed. The timbre of the morphed instrument you create is the one of an imaginary acoustic instrument whose physical parameters lie somewhere in between those of the instruments from which you started building the morphing.

In the audio examples below, Dynamic Morphing refers to the fact that the percentage of the various instruments is dynamically modified while playing, whereas it is fixed in the Static Morphing examples. The Layering feature allows you to mix several instruments , e. When layering instruments together, there are two parameters you may find of particular interest: volume and attack envelope. The volume can be used for splitting the instruments to different keyboard ranges, and the attack envelope can be used to mix an instrument with a particular attack that you want to emphasize, with another one whose attack has been weakened via the attack envelope parameter.

Vivid The piano creates the sound in real time while you are playing and takes into account all the complex factors that makes the piano a truly vivid instrument, such as the interaction between strings, the use of pedals, the cabinet resonance and the position of the hammers. It will feel like you have a real piano in front of you Versatile Pianoteq introduces new methods to adjust the piano sound to just the way you like it! Changes that until now could only be made by piano tuners are now possible directly from the interface.

Within seconds you can adjust the sound to a particular type of music or playing style. The many choices can be saved as a customized setting which you can share with other Pianoteq users. Expressive All the detailed variations of the timbre are there, from the weakest pianissimo to the strongest fortissimo!

What you express on your keyboard will also be what you actually hear. The sound of even the weakest pianissimo is absolutely pure without any audible quantization noise. Convenient Conveniently for the travelling musician, Pianoteq runs well on a modern laptop. Pianoteq loads quickly because of the extremely small size less than 50 MB. More instruments can be purchased separately, at any time.

You need a licence of Pianoteq Stage, Standard or Pro to use them. Steinway D is featured in many recording studios and concert halls worldwide. The instrument that served as reference is a Steinway B from Hamburg that belongs to the Martha Argerich Edition, a set of 25 grand pianos selected and signed in by the prestigious pianist for their musicality.

Subtle refinements of the physical model were made, resulting in a noticeably clear tone and astounding dynamics. Petrof and Petrof Mistral are the two Petrof masterpieces, bringing the authority required for concert halls. Authorized by Petrof, the physically modelled pianos capture the characteristic Petrof sound with a range of presets offering a beautiful palette of timbres suitable for all kinds of music. This physical model of C.

Bechstein Digital Grand is originally derived from a C. Bechstein D concert grand piano, captured by the acclaimed Teldex Recording studio in Berlin. Authorized by Bechstein, the Pianoteq model reproduces the outstandingly brilliant and powerful sound of the C. Bechstein D with its singing, richly coloured voice, suitable for many different music genres.

Steingraeber E Concert Grand Piano is praised by many pianists as being one of the most distinctive and outstanding instruments on the market today.

This physically modelled virtual instrument for Pianoteq 6 captures the characteristic Steingraeber sound with a range of presets offering different colours suitable for various types of music. The Concert Royal grand piano by Grotrian is rightly considered to be one of the best grand pianos in the world. Its tone, playing mechanism and construction meet the very highest standards in terms of quality, refinement and perfection — strengths which can be heard and felt all the way back to the last row in large halls and concert houses.

One of our most popular grand piano models. The K2 grand piano was created for Pianoteq 5. Thanks to its 2. Enjoy its dark, woody character in a musical allround environment. The U4 upright piano emphasizes the characteristics of upright pianos, offering 21 exciting presets. The Karsten Collection includes five historical instruments built between and , provided by instrument collector Peter Karsten, Braunschweig, Germany.

The Kremsegg museum collection 1 includes 4 historical pianos from the 18th and 19th centuries: Dohnal , Besendorfer , Erard , Streicher. Incomparable for rendering the music of the 19th century composers, but also for playing other music styles like Jazz.

The Kremsegg museum collection 2 includes 4 historical pianos from the 18th and 19th centuries: Broadwood , Pleyel , Frenzel , Bechstein. Hans Ruckers II harpsichord for Pianoteq is a superb virtual instrument with authentic sound and response, and it is a joy to play. It is equipped with the three registers - lower 8', upper 8', and 4' - which can be combined in ways not even possible in the real world.

The Concert Harp is physical modelled after a Salvi concert harp, used by many baroque and classical composers in the 18th and 19th century. The Celtic Harp is frequently heard in folk music as well as in earlier classical music and contemporary new-age. Both harps include foot-controlled pedals to change the pitches of the strings. They also add the ability to play harmonics flageolets and glissandos. You surely already know these famous electro-acoustic pianos from the seventies.

Each instrument comes with several variants and you can customize them to your own taste. Manufactured by Hohner from the early sixties until the early eighties, they appeared in many hit records of that period.

Hohner GmbH. Two virtual vibraphones, V-M and V-B , reproduce faithfully the characteristic sound of two well-known vibraphone brands. The V-B is a virtual copy of a Bergerault vibraphone France. By striking metal plates, the sounds have a bell-like quality that have fascinated composers throughout history and still today. The Toy Piano and Glockenspiel models have slightly extended octave ranges.

The Kalimba, also known as Mbira, is a small handheld instrument, originally from Africa. Xylophone and Bass Marimba are similar to the vibraphone but are using wooden bars instead of aluminium.

Each bar, that vibrates when hit with mallets, is paired with a metallic resonator which is tuned to amplify the sound. Each instrument is provided with one preset faithful to the original instrument modelled and several variants. In addition to the instruments above, Modartt offers to Pianoteq users a rich set of free instruments, including piano predecessors such as cimbalom, harpsichord and clavichord, an electro-acoustic piano CP, bells, tubular bells, etc.

The result is what we call the fourth piano generation. Pianoteq is the very first piano that belongs to this generation. The first generation of pianos began with Cristofori's pianoforte in which came to maturity at the end of the 19th century with the acoustic grand pianos. It was followed in the 20th century by the second generation electro-acoustic pianos and the third generation sampled pianos where each note is a recording of how it sounded during a specific moment in time, not taking into account the complexity of the instrument.

Pianoteq is the first piano belonging to the fourth generation, developed in order to go beyond the limitations of the third generation and to become a versatile and innovating tool. It is in fact the first virtual piano factory — it can produce new brands as well as copies of historical instruments. Professor Gabriel Weinreich, renowned figure in the world of musical acoustics, says: " I demonstrated the first "Piano from first principles" at a conference in Austria in Never in a million years would I have dreamed at that time that, in my lifetime, this art would have reached the state of development embodied in your Pianoteq program.

I congratulate you and all your collaborators on this most marvelous development. This short tutorial explains step by step the nature of the piano sound and illustrates how physical modelling can recreate such a sound. Sound is produced by air displacement pressure variation and can be represented as a sum of sine waves with various length and amplitude called partials.

Let's start with just one partial, using a given frequency f. Such a sound is considered "pure" and can be written as follows:. Listen to the sound:. The previous sound has poor sonority. Let us add more harmonics using frequencies 2f , 3f , and so on Here is the result: Does it sound like a piano? In an acoustic piano, each string is bound to a soundboard through a bridge.

The soundboard, made of wood, is a transducer between the string and the air which brings the sound to our ears. In other words, the string energy is transmitted to the air via the soundboard. This way, the string loses its energy and the sound amplitude decreases. But what will be the decay rate? C3 of a piano spectral view depending on time, from 0 to 7 seconds :. Harmonics horizontal orange lines start simultaneously but the higher the frequency the shorter the harmonic.

By the way, we can observe in this figure the beatings produced by a slight detuning between the 3 strings of the unison. We will explain this shortly.

The strength of each harmonic for each note is determined by the interaction between the hammer and the string, and especially by the strike point. In this figure, each vertical stroke matches an harmonic, and the height defines its strength.

Listen to the sound modelled: without interaction - with interaction. With the exception of the low range, each note of a piano has 3 strings, struck simultaneously by the hammer. The fact that there are several strings makes the attack stronger, and it also increases the sound duration.

Listen to the sound modelled with: one string per note - three strings per note. No two strings can be exactly in tune. So setting several strings together will create close frequencies. Gradually, two close frequencies will fall alternatively in phase - the sound reaches its maximum amplitude - and in opposite phase - the sound cancels -, that is the beating:. Two close frequencies Hz and Hz heard: separately - together. The inharmonicity coefficient B depends on the note and the instrument.

As a result, the sound is no longer periodic, and the beatings rate between partials is modified, which is taken into account by the piano tuner. The sound perceived by the listener has travelled through the air, from the soundboard to his ears. Listen to the sound: before - after the propagation is modelled. Finally, any place provides its own reverberation. Using some reverberation is especially important when listening with headphones.

Listen to the difference: without reverb - with reverb. For a deeper insight into physical modelling, we recommend for example the PhD of J. Schubert - Impromptus D, No.

The very best sampled pianos of today are the result of many hours of careful recordings associated with complex solutions designed to provide a valuable piano sound. We respect the work of these high class competitors who manage to develop sampled based pianos of this quality.

However, as is well-known, sampling technology itself has inherent disadvantages. To give you an understanding of the reasons why we chose to develop Pianoteq we find it necessary to describe the shortcomings of using samples to create a digital piano:. Despite many recent attempts to enhance the sampled piano sound by adding convolution reverb and other post processing effects, the technology as such has too many limitations when it comes to achieving a truly vivid and convincing piano sound.

Pianoteq offers many unique qualities and features that make it superior to other virtual pianos:. The many adjustable parameters make it possible to not only adapt the existing piano model but also to create new piano sounds. This is one of the advantages of a truly modelled piano — it opens up new possibilities for the creative musician. Pianoteq lets you improve the tuning in ways that are usually available only to piano tuners. Example: diapason Hz , different kinds of temperaments from equal to well tempered , microtuning, unison tuning for changing the timbre or colour of the sound , octave stretching and direct sound duration.

Screenshot of the Pianoteq upper panel. Another task for a professional piano tuner is to "shape" the piano sound according to the pianist's taste.

By adjusting hammer hardness it is possible to adapt the piano sound from mellow to bright in great detail. There is not just one adjustment, mellow to bright, but a very detailed slider for each major velocity: pianissimo, mezzoforte and fortissimo.

The next feature is something that not even a piano tuner can do — changing the soundboard impedance.

You will get a total control of overtones. This makes it even possible to change the size of the piano, from A size to D size, even up to a 10 meter 33 feet grand! The Pianoteq Steinway D and K2 virtual grand pianos offer an extended keyboard range of keys. This range makes it the largest ever available in a piano. Grand pianos that offer an expanded keyboard range are rare and extremely expensive. MODARTT takes up the challenge by providing an unprecedented extra-large key range for its Steinway D and K2 virtual grand pianos, with no less than keys 17 keys more than the standard keyboard range , ranging from ultra-low rumbling bass to very high bird-like pitches.

The keyboard range expansion was developed to correspond to an increasing demand from Pianoteq users for additional notes. The extended sound palette, obtained thanks to the powerful Pianoteq physical modelling, can be used e. If playing gentle octave chords, the extended bass notes will add a rumbling sound that will strengthen the effect.

Below is an example of where the pianist makes use of the extended keyboard range. In this particular arrangement suitable for 4 hands , Pianoteq demonstrates its capacity where most other pianos will fail. Based on transcriptions of Paganini's last movement of his second Violin Concerto, Pianoteq's extended keyboard range brings out the complete tonal colour palette.

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